Amin Jaffer Wikipedia, Antique Roadshow Experts, Roadshow, Wife, Partner, Al Thani, Wiki
Amin Jaffer Wikipedia, Antique Roadshow Experts, Roadshow, Wife, Partner, Al Thani, Wiki – The Al Thani Collection, an encyclopaedic collection of some 6,000 works of art, is headed by Dr. Amin Jaffer. In addition, he consults for Christie’s. He held the position of International Director of Asian Art at Christie’s from June 2007 to February 2017, with a focus on expanding the company’s reputation and clientele among Indians in India and around the world. He specialises on Indian art created under the influence of the Europeans.
Amin Jaffer Bio
|Age||54 years old|
|Date Of Birth||12 November 1968|
|Profession||The Chief Curator of the Al Thani Collection|
|Zodiac Sign||Not Known|
Amin Jaffer Physical Stats
|Shoe Size||Not Known|
Amin Jaffer’s Educational Qualifications
|College or University||Not Known|
Amin Jaffer Family
|Brother / Sister||Not Known|
|Children||Son: Not Known|
Daughter: Not Known
Amin Jaffer’s Marital Status
|Marital Status||Not Known|
|Spouse Name||Not Known|
Amin Jaffer Collection & Net Worth
|Net Worth In Dollars||1 Million|
Amin Jaffer’s Social Media Accounts
Amin Jaffer News
Demand for Amin Jaffer is high. The former curator of the Victoria and Albert Museum is currently in charge of a new location in Paris that will store jewellery and artefacts that belong to the Qatari Al Thani dynasty. Meanwhile, the Musée des Arts Décoratifs in Paris just inaugurated an exhibition he guest-curated about the early 20th-century royal and patron, the Maharaja of Indore.
This year at Frieze Masters, Jaffer is also assuming a new position, collaborating with independent curator Norman Rosenthal on the fair’s Collections section. This portion consists of a cluster of eight stands, each of which will host a mini-exhibition with a narrow emphasis.
“I am curating four, while Sir Norman is curating four. There will be a variety of topics; in my sector, there are two galleries with artwork that draws on inspirations from both the east and the west, adds Jaffer.
One of these is a display of Indian miniatures (at Galerie Alexis Renard) that depict westerners and give light on South Asian perspectives of Europeans during the pre-colonial era. According to Jaffer, “These paintings emphasise the peculiarities of western behaviour, dress, and physiognomy.” Material on display at Galerie Kevorkian demonstrates how westerners assembled collections of works discovered or excavated in Asia, providing another perspective on east-west connections.
The two further presentations by Jaffer examine how late 20th-century Asian art incorporates elements of ancient culture. “The Indian modernist painter S.H. Raza’s minimalist monochromatic works from the 1970s are shown alongside tantric miniatures and lingams that share a similar geometric simplicity,” Jaffer writes about the exhibition at Grosvenor Gallery. Additionally, the Gregg Baker Asian Art Gallery is displaying contemporary Japanese painting with Japanese Zen Buddhist artworks to complete the set.
Jaffer, who was once the international head of Asian Art at Christie’s in London, looks to be the ideal fit for the Frieze Masters initiative, which combines curatorial and commercial components. “In this instance [at Frieze Masters], I am not aware of the values of any of the works,” he emphasises.
He left the V&A in 2007, having worked his way up from research fellow to senior curator there. He then joined Christie’s. He collaborated with a group of coworkers at Christie’s to grow the Indian market and bring Indian collectors into contact with the larger art community.
He explains, “In those days [pre 2010], India presented itself as an enormous opportunity,” noting that he helped Christie’s start its first auctions in Mumbai in 2013. Moving from an academic environment to a corporate one must have been difficult. “Not at all! My Gujarati merchant ancestry immediately came into play. There are countless opportunities for learning because the pieces on display are continually changing.