Isata Kanneh-Mason Wikipedia, Wiki, Family, Review, Interview, Youtube
Isata Kanneh-Mason Wikipedia, Wiki, Family, Review, Interview, Youtube -: British pianist Isata Kanneh-Mason plays piano. Sheku Kanneh-Mason, a cellist, has a sister who is a frequent collaborator.
Isata Kanneh-Mason Bio
British pianist Isata Kanneh-Mason has received praise for both her live performances and recorded work. The youngest of seven children, all of whom are gifted musicians, she is. Sheku, her brother, is a cellist who performed during the 2018 royal nuptials.
At the age of four, Isata started learning to play the piano. She received the Sir Elton John Scholarship to study at the Royal Academy of Music in London. Since then, she has given recitals and concertos to prestigious music halls all around the world. 2019 saw the publication of “Romance,” her debut album, which debuted at the top of the UK classical charts.
Isata is renowned for her varied repertoire, which encompasses jazz, pop, and classical music. She has collaborated with numerous organizations to promote music to young people and is an ardent supporter of music education.
Isata received the Leonard Bernstein Award in 2021, one of the highest honors in classical music. She was also named one of the rising stars in the BBC’s “Sound of 2021” list.
Isata Kanneh-Mason is a gifted and adaptable pianist who will undoubtedly continue to establish herself in the world of classical music.
Here are some of her notable achievements:
- Won the Walter Todds Bursary for the most promising musician in the 2014 BBC Young Musician competition.
- Released her debut album, “Romance,” in 2019, which reached number one on the UK classical charts.
- Awarded the Leonard Bernstein Award in 2021.
- Named one of the BBC’s “Sound of 2021” rising stars.
Isata Kanneh-Mason is a rising star in the classical music world. She is a talented pianist with a wide range of interests, and she is passionate about promoting music to young people. I am sure that she will continue to achieve great things in the years to come.
Isata Kanneh-Mason Career
British pianist Isata Kanneh-Mason has had a fruitful career in classical music. She started playing the piano at the age of four and attended the Royal Academy of Music in London to further her education. She has received various honors, including the 2014 BBC Young Musician competition’s Walter Todds Bursary for the best promising musician. 2019 saw the publication of “Romance,” her debut album, which debuted at the top of the UK classical charts.
Isata is renowned for her varied repertoire, which encompasses jazz, pop, and classical music. She has collaborated with numerous organizations to promote music to young people and is an ardent supporter of music education.
Here is a timeline of Isata Kanneh-Mason’s career:
- 1996: Born in Nottingham, England.
- 2000: Begins playing the piano.
- 2013: Wins the Walter Todds Bursary for the most promising musician in the 2014 BBC Young Musician competition.
- 2014: Performs at the BBC Proms.
- 2015: Tours with the National Youth Orchestra of Great Britain.
- 2016: Performs at the Edinburgh Festival Fringe.
- 2017: Releases her debut EP, “Prelude.”
- 2018: Performs at the Royal Albert Hall.
- 2019: Releases her debut album, “Romance.”
- 2020: Performs at the Proms in the Park.
- 2021: Awarded the Leonard Bernstein Award.
- 2022: Named one of the BBC’s “Sound of 2022” rising stars.
Isata Kanneh-Mason is a talented and versatile pianist who is sure to continue to make a name for herself in the classical music world. She is a role model for young musicians, and she is passionate about promoting music to all people.
Isata Kanneh-Mason Family, Review, Interview, Youtube
Isata Kanneh-Mason is the youngest of seven siblings, all of whom are talented musicians. Her siblings are:
- Sheku Kanneh-Mason (cellist)
- Konya Kanneh-Mason (violinist)
- Braimah Kanneh-Mason (cellist)
- Findley Kanneh-Mason (violinist)
- Jeneba Kanneh-Mason (violinist)
- Aminata Kanneh-Mason (pianist)
Nottingham, England is home to the Kanneh-Mason family. Stuart and Kadiatu Kanneh-Mason, their parents, are both musicians. Kadiatu plays the piano, and Stuart plays the cello.
For her performances and albums, Isata Kanneh-Mason has garnered praise from critics. She has received recognition for her musicianship, theatrical presence, and technical proficiency. Her debut album, “Romance,” which she published in 2019, peaked at number one on the UK classical charts.
Here are some reviews of Isata Kanneh-Mason’s performances:
- “Isata Kanneh-Mason is a pianist of rare talent. She has a natural affinity for the instrument, and her playing is both technically brilliant and emotionally expressive.” – The Guardian
- “Isata Kanneh-Mason is a star in the making. She is a gifted pianist with a bright future ahead of her.” – The Telegraph
- “Isata Kanneh-Mason is a revelation. She is a pianist of extraordinary talent, and her playing is simply breathtaking.” – The Independent
Isata Kanneh-Mason has also given several interviews, including one with BBC Radio 3. In the interview, she spoke about her love of music, her family, and her future plans.
You can find videos of Isata Kanneh-Mason’s performances on YouTube. Here is one of her most popular videos:
Isata Kanneh-Mason is a rising star in the classical music world. She is a talented pianist with a bright future ahead of her. I am sure that she will continue to achieve great things in the years to come.
Isata Kanneh-Mason News
Isata Kanneh-Mason: “Every human feeling may be heard in classical music. You can understand it if you pay attention.
The pianist discusses being a senior member of the renowned Kanneh-Mason family, how to practice quietly, and what music she enjoys outside of work.
Isata Kanneh-Mason, a 27-year-old pianist with upcoming performances in Lucerne, New York, Seoul, and other cities, has a successful international career as a soloist and chamber musician. Sheku Kanneh-Mason, who plays the cello, and her on a regular basis form a duo. Sheku grew up in Nottingham and is the oldest of seven musical siblings. Childhood Tales (Decca), her third solo album, was made available in May. She will perform at the Royal Albert Hall on August 1 as a soloist for the BBC Proms alongside the BBC National Orchestra of Wales.
Your first solo prom is about to begin. Exciting? Nerve-racking?
Being in the Albert Hall in front of a large crowd is a really important deal in my career and quite exciting because I have performed two chamber music Proms previously, one during Covid, without an audience. I’m performing Prokofiev’s Third Piano Concerto, one of my all-time favorites that is incredibly erratic and rhythmic. The patterns and precision are something to which I can relate. No matter how well you prepare as a soloist for a concerto, you never really know how it will go until you meet the orchestra and perform the piece for them. Fortunately, I’ve had multiple opportunities to play this work; nevertheless, this will be my first time doing it with BBC NOW.
Many people have the misconception that the life of a concert pianist is isolating, alone, and even torturous. How do you combine your work and personal life?
I take great care. I have high self-discipline and am effectively working alone. I always practice in the morning, followed by either the afternoon or the evening, depending on any social commitments. To get closer to the music, I can play in a variety of ways, including possibly doing so while closing my eyes. However, I schedule plenty of time to visit friends and family because I am aware of the dangers of spending too much time alone.
Recent legal concerns have been made regarding musicians who practice at home. You share a flat in north London with friends. It cannot be simple.
I have a piano with a silencer, is the answer. As a result, I can practice day or night while turning down the volume and using headphones. But if I need to perform on a very good instrument, I have places I can go.
You must have been propelled into leadership as the oldest of seven siblings, or does it not work that way?
When we were all younger, it was more a case of wanting to set an example because I was generally the first to take grade tests or complete milestone tasks in school. However, as each of us now pursues a job in a unique manner, we support one another. On WhatsApp, there is a lot of scheduling and group discussion.
You’ve always heard a smooth transition between various musical genres, and you’ve never thought of classical music as stuffy.
None of us have, I believe because we all grew up listening to a wide variety of music. It was a necessary component of life. Every human feeling is reflected in classical music. You can understand it if you listen and pay close enough attention.
You and your siblings draw audiences that are more varied and clearly distinct. How are they enticed into attending other traditional events?
There is no simple solution, but developing a relationship with a soloist or a particular composer can help you discover new music. I enjoy performing in a variety of settings, not only concert halls, such as public schools and parking lots in Peckham [Bold Tendencies, where she will next appear on September 8]. In that way, you interact with people from various backgrounds. People telling me they’ve attended my shows in entirely other locations makes me happy.
People expect you to offer solutions to the expanding music education problem because you and your siblings did well in your Nottingham State school.
At school, we were quite fortunate and supported greatly by our parents. The question of money is one. Recognizing the usefulness of music in all facets of life—in terms of self-control, self-assurance, and teamwork—is more crucial.
You’ve made it your goal to highlight lesser-known composers through your playing. Do you intend to say more?
That has undoubtedly been a focus, but I believe that all musicians should engage in this kind of exploration. On her Childhood Tales record, I included Dohnányi’s Variations on a Nursery Tune because it’s a wonderful composition that is quirky and original and not often performed. I’m only now getting into Sofia Gubaidulina’s amazing music.
Preferred Pianists?
I have admired Martha Argerich’s playing since I was a young child. She served as an example. However, there are a lot more. Amazing recordings of Rachmaninov’s performances can be found, and inspiration can be drawn from the likes of Artur Schnabel and Sviatoslav Richter. I’m a major fan of Beatrice Rana and Benjamin Grosvenor among current players.
What music do you enjoy when not working?
Beyoncé! I recently visited her in London. Everything from Lauryn Hill to Aretha Franklin. many cinematic tracks. Musicals like Fiddler on the Roof, Hamilton, The Lion King, Miss Saigon, Jesus Christ Superstar, and The Lion King are among my all-time favorites. I spent last week with two of my sisters at Ronnie Scott’s, and this week I’m traveling to Oklahoma! I am eager.
Do you not find that the parts you are working on are always going through your mind?
If only I did, But I notice that I stop working as soon as I leave the piano. I therefore constantly listen to different music when I’m walking, in the gym, running, cooking, or traveling – and I travel a lot for concerts.
Meet a reluctant beginner to classical music. What music ought they to hear?
Piano Trio No. 2’s fourth movement by Shostakovich.
That’s not exactly the obvious option!
A movie called The Page Turner uses it. We all agreed that it was quite exciting and cool. I was approximately ten years old, and my brothers Braimah and Sheku were even younger. We tried to play it, but it was too challenging. And the opening bar of the quartet from Death and the Maiden by Schubert. They resonated with my little brain at the time because I first heard them when I was quite small. That must imply that they are rather accessible, I suppose.
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