Samantha Hankey Wikipedia, Age, Schedule, Net Worth, Partner, Feet
Samantha Hankey Wikipedia, Age, Schedule, Net Worth, Partner, Feet – Samantha Hankey claims, “I really love playing trousers roles.” Or “trouser roles,” as you put it here, am I correct? I find it immensely empowering to play a male on stage. I am acutely aware of how much room I can occupy. Additionally, the costumes are significantly cosier. Corsets have never appealed to me.
The American mezzo, 30, is incredibly confident as she prepares to make her British operatic debut as the dashing knight Ruggiero in Handel’s Alcina at Glyndebourne. And she ought to be. The judges praised Hankey’s “amazing stage presence, beautiful voice, and wonderful musicality” as the reason she took home the first Glyndebourne Cup in 2018.
She is happy to share with me that after two years, she was able to pay off the remaining of her student loans thanks to her £15,000 winnings.
Samantha Hankey does not look like an Opera Singer
The “shy, awkward” lone child of a Massachusetts single mother without a job has had a long trip. Hankey tells me she had her first experience with opera when she was nine years old when her choir participated in a regional staging of Bizet’s Carmen as we speak through Zoom after a long day of rehearsals at the Sussex opera house. However, she adds, “I wasn’t listening to classical music at home.” Hankey enjoyed pop as a child. Panic, Beyoncé! At the club… I also spent some time listening to severe heavy metal.
Her mother, who attended design school, pushed her to pursue her passion for singing and enrolled her in the community performing arts school when she was 15 years old. She first realised she wanted to be an opera singer when she heard another student do the gorgeous “Sure on this Shining Night” by Samuel Barber. Hankey has been in high demand ever since graduating, with critics praising his “luscious” and “vividly dramatic” voice.
She performed the Composer in Ariadne auf Naxos to inaugurate the Gran Teatre del Liceu Opera Barcelona’s season, played Dorabella in Cos fan tutte at the San Diego Opera, and delighted audiences as Octavian in Barrie Kosky’s Der Rosenkavalier. She approaches the position of the male mezzo in a smart, modern manner.
I’ve recently performed a number of men and have noticed that I move differently since playing Dorabella in a form-fitting outfit in February. Men are perceived as being more assertive and possibly more aggressive. Women are kinder and more courteous. Has Hankey ever been able to carry that stereotypical macho swagger off the stage? “I believe that the roles I’ve been investigating have influenced me. maybe in terms of assurance. Perhaps incorporating a little piece of them into who I am.
She says she’s reading a book about gender right now. “It’s about how, via the use of pronouns, we are constructing a new language. The development in welcoming people that has occurred over the last few years is astounding.